Kevin Costner Sued By ‘Horizon 2’ Stunt Performer Over Unscripted Rape Scene

One day in May 2023, stunt performer Devyn LaBella showed up to the Utah set of Horizon: An American Saga – Chapter 2, the second part of the sprawling Western series from Kevin Costner, expecting to double for one of the film’s stars in some basic, fairly boring shots. Instead, she says, she was surprised by being subjected to an unscripted, brutal rape scene without proper notice, consent or the presence of a contractually mandated intimacy coordinator.

Now, LaBella is suing Costner and the film’s production companies for sexual discrimination, harassment and the creation of a hostile work environment. Moreover, the complaint alleges LaBella faced retaliation after she reported the incident by not being called back for subsequent work on the Horizon series and never being hired again by the film’s stunt coordinator, with whom she had worked previously.

“On that day, I was left exposed, unprotected, and deeply betrayed by a system that promised safety and professionalism,” LaBella said in a statement to The Hollywood Reporter. “What happened to me shattered my trust and forever changed how I move through this industry.”

In a statement, Costner’s attorney Marty Singer said his client “always wants to make sure that everyone is comfortable working on his films and takes safety on set very seriously.” He says, however, that the lawsuit has “absolutely no merit” and is “completely contradicted by [LaBella’s] own actions — and the facts.”

The suit represents the latest legal battle for Horizon, as Costner’s loan-out firm for the series was recently hit with an arbitration claim for allegedly breaching its co-financing agreement with New Line Cinema. This complaint was filed after settlement discussions with Costner and production company representatives broke down, says James Vagnini of Valli Kane & Vagnini, one of the attorneys representing LaBella, with support from the Time’s Up Legal Defense Fund.

The Horizon series is the product of decades of hustle from Costner, a veteran of the Western epic, from Dances With Wolves to Hatfields & McCoys to Yellowstone. With no major studio willing to fork over the cash he felt was needed, Costner invested $38 million of his own funds, with the series’ first film premiering to anemic box office in June 2024.

An ascendant stunt performer who had worked on Barbie and American Horror Stories, LaBella was hired on Horizon’s second installment as the lead stunt double for actress Ella Hunt, who plays one of the film’s main characters. Hunt’s role did involve sexual violence. As part of her contract, the lawsuit maintains, Hunt negotiated a mandatory intimacy coordinator on all nude or intimate scenes, which, as her stunt double, would apply to LaBella as well. Moreover, given that Hunt and LaBella are members of the performers union SAG-AFTRA, their intimate scenes would also be subject to the labor group’s regulations, which call for prior notice, consent and a closed set.

Everything went by the book for a scripted rape scene that shot on May 1, according to the suit: The scene — where LaBella performed the more physical, rough aspects of the action — was detailed on the day’s call sheet, rehearsed with a stunt coordinator and an intimacy coordinator, later monitored by that intimacy coordinator, took place on a closed set and was structured such that performers got breaks in between shots.

But rules were allegedly thrown out the window the next day, when LaBella showed up on set to double for two non-intimate sequences and was asked by Costner to stand in for Hunt for a shot. Unbeknownst to LaBella, the complaint claims, Hunt had just walked off of the set, “visibly upset,” after Costner told her he had just added an impromptu scene of sexual violence perpetuated by a different character than the previous day’s scene.

LaBella, instructed to lay down on a wagon, allegedly only found out that this was a rape scene after Costner called for actor Roger Ivens to simulate nonconsensual sex on top of her: “Mr. Ivens violently rustled Ms. LaBella’s skirt up as if trying to penetrate her against her will” while pinning her down per the director’s orders, the complaint states. No notice had been given, the scene had not been rehearsed, no intimacy coordinator was on set and all of the action was aired on monitors that could be viewed by the entire crew, according to the suit.

Costner’s attorney Singer maintains that this was a rehearsal without cameras rolling and not a filmed scene itself. The film’s stunt coordinators were present, he added. After this rehearsal, LaBella “gave her Stunt Coordinator supervisor a ‘thumbs up’ and indicated her willingness to then shoot the scene, if needed,” he states; the scene ended up being shot with a stand-in performer and not LaBella.

The lawsuit emphasizes that Costner did not consistently call “action” or “cut” during this process, leaving LaBella without time to fully comprehend what was happening as the action repeated. Meanwhile, “Mr. Ivens never separated from Ms. LaBella,” the suit says, consistently keeping his hand on her body. Moreover, the complaint claims the wardrobe department had not prepared LaBella for her undergarments to be exposed, as they were by the directions Costner was giving Ivens.

The complaint describes LaBella as shaken and “terrified” following this experience. Afterward, she raised concerns and made complaints to several stunt coordinators and to the film’s intimacy coordinator, later feeling that many in the production team were treating her with kid gloves, the suit states. She received some apologies from colleagues on the film, but was directed to stay in her trailer, fully costumed and not used on set for several days, the complaint claims.

Singer disputes that LaBella made a complaint to the film’s stunt coordinators, saying “she was in good spirits and made no complaints to them” at a dinner the night after the scene. He says that LaBella took stunt coordinator Wade Allen to a thank-you dinner following the production, and sent him a text stating, “Thank you for these wonderful weeks!”

Ultimately, LaBella was not called back for the third film in the series, and Allen did not hire her again, though he had hired her for projects before Horizon.

The lawsuit alleges that LaBella’s career came to an “abrupt halt” after the incident. Not only was Allen not hiring her again, but “the workplace, and stunt work in general, which was once a source of purpose and fulfillment, is now a place of heightened apprehension and the whole experience has left Ms. LaBella feeling ‘disposable’ and ‘worthless,’” the complaint states.

If the case goes to trial, LaBella and her attorneys are asking the jury to determine any potential punitive damages. Beyond compensation, the point of the suit is also to “address the continued failures at the highest levels of Hollywood production companies to comprehend and address the impacts of performing in sexually explicit and violent ‘scenes’ and the need for intimacy coordination,” the complaint reads.

The use of intimacy coordinators in Hollywood exploded after the #MeToo movement prompted a reappraisal of power dynamics on set. Choreographing scenes of an intimate nature, intimacy coordinators are intended to be watchdogs for performer safety and comfort. While some famous performers have embraced them (Rachel Zegler, Phoebe Dynevor), others have waved them off or said they didn’t feel they need them, like Mikey Madison and Sean Bean.

Per the lawsuit, in this case an intimacy coordinator was mandated by a performer contract, amplifying existing union protections. Says Jennifer Mondino, the senior director of the Time’s Up Legal Defense Fund, which supported the case, “The guidelines that are supposed to be followed on regular movie sets weren’t being followed.”

Adds LaBella’s lawyer Vagnini, “If it can happen on a size of a production worth $100 million or more, imagine what happens on smaller ones where you’re really trying to cut corners.”

As for Singer, he says, “The facts are clear and we are beyond confident that Kevin will prevail.”

Read The Full Article On The Hollywood Reporter

Park co-naming expected for 2024

Lawsuit says Open Streets program for green space projects violates the ADA

By Naeisha Rose/Queens Chronicle

The grassroots effort to formalize the reclamation of public space for an Open Streets program on a stretch of 26 blocks in Jackson Heights is taking shape.

Last Wednesday, 46 members of the City Council approved the renaming of the corridor along 34th Avenue from 69th Street to Junction Boulevard to Paseo Park, a nod to the predominantly Hispanic neighborhood, as paseo means stroll or promenade in Spanish.

Five councilmembers were absent, on medical leave or abstained from voting.

Leading the charge for the co-naming, which is expected to take place spring 2024 if Mayor Adams signs the bill, is Councilman Shekar Krishnan (D-Jackson Heights), the prime sponsor of Intro. 1278.

“… Paseo Park is the incredible story of a community coming together during a crisis to create new open space, filling it with families, music, and joy,” Krishnan, chair of the Committee on Parks and Recreation, said in a statement. “Our entire community is grateful for the tireless work of the 34th Avenue Open Streets Coalition and Alliance for Paseo Park …”

The Alliance for Paseo Park and 34th Avenue Open Streets Coalition are two groups that were formed in spring 2020, the height of the spread of the Covid-19 virus. Both organizations wanted to address the lack of green space in Jackson Heights as the neighborhood ranks last in the city for per capita park space, while also being in the eighth-most densely populated ZIP Code, 11372, in the United States.

Paseo Park would create up to 7.5 acres of green space, quadrupling the park space available in Jackson Heights. Since the city’s pandemic Open Streets program there three year ago, crashes in the area decreased 42 percent, the space was improved with new surfacing and planters and approximately 7,000 children from seven public schools, a private school and three universal pre-K institutions are able to travel through the park, according to Krishnan’s office.

While Paseo Park is being touted as the “gold standard” for the city’s Open Streets program, some detractors of it, as well as of similar projects throughout the city, do not consider it a jewel in their eyes.

A complaint filed in the Eastern District of New York by 11 people — a 12th person dropped out of the lawsuit — claims that the Open Streets initiative, which takes away roadway for public parks and pedestrian plazas, is in violation of the American with Disabilities Act and the Rehabilitation Act, along with city and state Human Rights laws.

Matthew Berman, the attorney representing the plaintiffs, said his clients are not challenging the entire citywide program, but specific Open Streets projects.

“… although changes to these particular streets may result in broader changes,” Berman said.

Berman added that the ADA and the Rehabilitation acts require equal access to streets and sidewalks for the disabled, especially for programs using federal funds.

“The upshot is that the city is required to provide reasonable accommodations to the disabled so that they have equal access and the city has failed to do that,” he said.

Open Streets programs are expensive and resource–intensive, and despite grants from the city, they also rely on the availability of federal and state funding, according to neighborhoodcommons.nyc.

The Chronicle reached out to Krishnan’s office about the lawsuit, but he was not available for comment.

UPDATE: This story was updated to say that the attorney’s name is Matthew Berman.

Read the article from Queens Chronicle here.

Supervisor sues Omni hotels, alleging sexual harassment and retaliation when she reported it

A former supervisor with Omni Hotels & Resorts has filed suit against the Dallas-based company, alleging sexual harassment and saying the company broke federal laws governing equal pay.Continue reading

Valeant Unit Settles Sex Discrimination Claims For $7.2M

Law360, Los Angeles (July 12, 2016, 4:56 PM EDT) — Valeant-owned Medicis Pharmaceutical Corp. will pay $7.2 million to settle a class action alleging gender discrimination and other claims brought by female sales representatives of the medical cosmetics company, according to a final settlement order signed by a D.C. federal judge Monday. Continue reading

Gender Harassment on Late Night TV

From the average American’s point of view, workplace harassment suits may be relegated to office environments–cubicle mazes filled with discrimination by cold-blooded corporate predators. However, harassment runs across all dimensions of American employment, from corporate settings, to manufacturing, to construction, and so on.  Lately, a hurricane of highly publicized lawsuits serve to expose an often ignored segment of American employment: television.  At the center of it all you will find the often regarded “nicest man on television.”
Paul Tarascio is a New York-based stage manager for live television. In January, the television professional filed a lawsuit against Jimmy Fallon, as well as many employees that work on Late Night with Jimmy Fallon and NBC, claiming gender discrimination. Tarascio claims that he was replaced because Fallon prefers female stage managers. When he went to his superiors–and then to union officials–he said he was fired.
Because of the notoriety of the celebrities at the center of these types of shows, this area of law has garnered national attention.  The union-driven industry is high-powered, often ego and market driven, and moves at the speed of light. Hirings and firings are as routine on television as they are among NFL coaches. Because television is a gigantic—and extremely rich—industry, many employees may refrain from bringing an action against these networks and public figures because they fear the loss of opportunities in the industry and question whether they have the wherewithal to take on these financial giants.
A similar case involving a joke made by Jay Leno on his late night show has resulted in a lawsuit. While many of the specifics of both Leno’s and Fallon’s lawsuits are not known, the lawsuits brings to light the common misconception that celebrities are somehow exempt from State and Federal discrimination laws.  Discrimination on the basis of gender is just as illegal on a multi-million dollar television set as it is at your local Pizza Hut or any other employer in the country. The law makes no exception for the elite, nor should it.  Discrimination in any form is wrong and it is punishable by law.
If you feel you have been victimized at your place of work due to your gender or any other protected basis, then you have the right to seek counsel and assert your legal rights.  An experienced discrimination attorney can help you understand the complexities of Federal and New York workplace law as it relates to you. Call the law offices of Valli Kane & Vagnini, LLP now at (866) 441-2873 and get one of NY’s finest employment attorneys on your side.

"Civil rights law is their passion" – Newsday

James Vagnini, Sara Kane and Rob Valli
James Vagnini, Sara Kane and Rob Valli

As most lawyers know, civil rights cases are not where the real money is in the legal profession. But one Long Island law firm has barreled into discrimination cases in the South in the past few years, citing a passion for such work.
“We do the old-fashioned civil rights work,” saidJames Vagnini, one of the three partners at Garden City-based Valli Kane & Vagnini. “If I didn’t make a nickel, I’d be just as happy. I’ve learned a lot. I wanted to do law in a way that I could sleep at night.”
The firm is making money, the partners say. But the cases have taken them into some parts of the Lone Star State where media reports indicate race relations have reached a low point in recent years.
The firm was recently in ParisTexas, where the town’s largest employer is pipe-manufacturer Turner Industries. Black employees have said that hangman’s nooses, Confederate flags and racist graffiti have appeared at the workplace.
Last week, Valli Kane obtained from the Equal Employment Opportunity Commission a “reasonable cause” letter, saying the federal agency believes discrimination has occurred at Turner and asking the company and its black employees to sit down and discuss the matter.
In response, Turner said it has formed an employee task force “to assist in promoting and maintaining a workplace that is free of harassment or discrimination.” Turner said it has “zero tolerance” for any discrimination in the workplace.
In 2008, Valli Kane took another case to the EEOC, this one in Dallas involving Allied Aviation Services Inc., which agreed to pay $1.9 million to settle a harassment lawsuit filed on behalf of black and Hispanic workers.
The law firm was formed about two years ago. The three met when they worked together at Leeds, Morelli & Brown, a law firm in Carle Place.
Previously, Vagnini had worked for the New York City Human Rights Commission while a law student at Hofstra University in Hempstead. Robert Valli Jr. had been a Queens assistant district attorney, and Sara Kane was an assistant attorney at the New York City Corporation Counsel.
The firm also handles criminal and real estate cases, but Vagnini said more than 75 percent of its work is civil rights or discrimination cases.
“We have a passion for this,” Kane said.

Dallas Utility Workers Claim Racial Discrimination

The Dallas Water Department tolerates racial discrimination, a hostile work environment and retaliation, according to a new federal lawsuit.

The lawsuit was filed Wednesday by 11 African-Americans, one Hispanic and one Asian-American employee.

“It’s business as usual. It’s a good old boy syndrome,” said employee Leroy White.

Among other things, the lawsuit cites a noose displayed in an employee’s car at the Southside Water Treatment Plant two years ago.

Dallas Utility Workers Claim Racial Discrimination
Dallas Utility Workers Claim Racial Discrimination

”Five days later he came with a bigger noose,” said employee Clement Bernard. “He stated it was because he thought I was wrong for making him take the noose out of his truck on city property.”

The city disciplined the employee with the noose and that employee later resigned.

In a prepared statement, city spokesman Frank Librio said the city does not tolerate discrimination.

“The City took corrective measures regarding these situations at the time the allegations were first reported. The City denies that it has engaged in any unlawful conduct,” he said.

The statement said a specific program was developed for the water department to avoid discrimination and a hostile work environment.

But the lawsuit claims discrimination still exists.

“These individuals have raised these complaints with the city of Dallas and with their employers for years,” attorney Jay Ellwanger said. “We’re asking that it stop. We’re asking that our clients be given damages.”

Get More:

Click here to view the lawsuit and click here to read the city’s response.

Employees Sue Dallas for Racism

Employees Sue Dallas for Racism: MyFoxDFW.com

DALLAS – From racial slurs to a hangman’s noose, 13 Dallas employees say they’ve had enough. The group has filed a federal lawsuit, which they say outlines a culture of outright racism.
The plaintiffs filed their suit Wednesday. They include black, Hispanic and Asian workers of Dallas Water Utilities.
The employees claim they were threatened, verbally harassed and intimidated by racist graffiti written on bathroom walls. There was also an incident involving a hangman’s noose dangling from a city vehicle, according to the lawsuit.
A statement from the city of Dallas said officials deny the unlawful conduct.
The city said some of the allegations date back seven years and corrective measures were taken then. The statement also said the Department of Justice declined to file a lawsuit in the case.
Watch FOX 4 Matt Grubs’ video story to hear from both the employees and a city spokesman.